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2019 film by André Øvredal

Scary Stories to Tell in the Dark
Scary Stories to Tell in the Dark film logo.jpg

Theatrical release poster
Directed past André Øvredal
Screenplay by
  • Dan Hageman
  • Kevin Hageman
Story by
  • Guillermo del Toro
  • Patrick Melton
  • Marcus Dunstan
Based on Scary Stories to Tell in the Night
by Alvin Schwartz
Produced by
  • Guillermo del Toro
  • Sean Daniel
  • Jason F. Brownish
  • J. Miles Dale
  • Elizabeth Grave
Starring
  • Zoe Colletti
  • Michael Garza
  • Gabriel Rush
  • Austin Zajur
  • Natalie Ganzhorn
  • Austin Abrams
  • Dean Norris
  • Gil Bellows
  • Lorraine Toussaint
Cinematography Roman Osin
Edited by Patrick Larsgaard
Music past
  • Marco Beltrami
  • Anna Drubich

Production
companies
  • CBS Films
  • Entertainment One
  • 1212 Entertainment
  • Double Cartel You Productions
  • Sean Daniel Company
Distributed by
  • Lionsgate (U.s.)
  • Entertainment One (Canada, Great britain, Australia, New Zealand, Germany, Republic of austria, Benelux and Spain)[1]

Release appointment
  • August ix, 2019 (2019-08-09) (United States)

Running time

 108 minutes[ii]
Countries
  • United states
  • Canada
Language English
Budget $25–28 million[3] [4]
Box part $106 one thousand thousand[3]

Scary Stories to Tell in the Night is a 2019 horror film directed by André Øvredal, based on the children's book series of the same name by Alvin Schwartz. The screenplay was adapted by Dan and Kevin Hageman, from a screen story by producer Guillermo del Toro, likewise as Patrick Melton and Marcus Dunstan. The film, an international co-production of the U.s. and Canada, stars Zoe Colletti, Michael Garza, Gabriel Blitz, Austin Zajur, Natalie Ganzhorn, Austin Abrams, Dean Norris, Gil Bellows, and Lorraine Toussaint.[v] [6]

In 2013, CBS Films acquired the rights to the book series from 1212 Entertainment[vii] with the intent of producing it as a feature picture show. By January 2016 information technology was announced that del Toro would develop and potentially direct the project for CBS Films. Øvredal was later set to direct the moving picture, with del Toro, Daniel, Brownish, and Grave being among the producers. Main photography commenced on August 27, 2018, and concluded on November i, 2018, in St. Thomas, Ontario, Canada.

Scary Stories to Tell in the Nighttime was theatrically released on Baronial seven, 2019 in the United states by Lionsgate. The moving-picture show was well-received by critics with praise for its depictions of the horror features from its source material just in that location was some criticism for its plot, writing and acting. The picture went on to gross a worldwide total of $106 million against a budget of around $28 million.

Plot [edit]

On Halloween, 1968, in the pocket-size boondocks of Mill Valley, Pennsylvania, three teen friends, Stella, Auggie, and Chuck, prank the bully Tommy Milner. When Tommy and his gang chase them in retaliation, the trio flees to a drive-in movie theater, where a young out-of-stater named Ramón Morales hides them in his machine. They invite Ramón to explore a local "haunted business firm" that once belonged to the wealthy Bellows family, who helped found Factory Valley. Inside, they find a book of horror stories written by Sarah Bellows, the Bellows' young daughter who was accused of witchcraft when the boondocks'south children mysteriously began to die and allegedly committed suicide. Having followed the group, Tommy locks them within along with Ruth, Chuck'southward sis. They escape, and Stella takes Sarah's book.

Back abode, Stella flips through the book, discovering that a new story, entitled "Harold," has appeared on a page that was blank moments before. Meanwhile, in a nearby cornfield, an inebriated Tommy is stalked by the titular Harold, his family's scarecrow, after information technology comes to life. The beast stabs him with a pitchfork, causing Tommy to vomit hay and undergo a violent transformation. Tommy is subsequently reported missing; Stella and Ramón find Harold dressed in Tommy's clothes. Stella is convinced that Tommy has been turned into a scarecrow.

That night, a new story, "The Big Toe", appears with Auggie equally the main character. The pair attempt to warn him virtually the monster: a corpse searching for its missing toe, which is inside a stew that Auggie unwittingly eats. Auggie disappears later on the corpse drags him nether his bed. Realizing they are next, the remaining friends endeavour to destroy the book; when this proves impossible, they research Sarah's life in hopes of finding a solution. A new story, "The Blood-red Spot", is written. When Ruth discovers a swollen spider bite on her cheek, it explodes and releases hundreds of tiny spiders.

Ruth is rescued merely is traumatized. The group's investigation takes them to a local hospital, where they find that Sarah's brother performed electroshock therapy on her as part of a embrace-upward performance. The family's mill had been poisoning the town's water with mercury, leading to the deaths of the town's children and Sarah was tortured by her family unit for trying to reveal the truth. To avoid suspicion, they blamed her for the deed. At the infirmary, Chuck is attacked by the Pale Lady, a phantom from his recurring nightmares, who absorbs him.

Stella and Ramón are arrested for trespassing by Police Chief Turner, who reveals that Ramón is a Vietnam War draft dodger. Ramón reveals to Stella that information technology was out of fear after his blood brother enlisted and his dead torso was returned to them in pieces. Turner's canis familiaris begins to act strangely, and Ramón realizes that the next creature will exist the Jangly Man, a monster from a campfire story that frightened him every bit a kid. The Jangly Homo kills Turner past breaking his cervix before attempting to kill Ramón. Ramón and Stella escape, and he lures the animal away with Turner'due south car while Stella goes to the Bellows business firm to put an end to Sarah'due south actions. The Jangly Man chases Ramon and ends upward getting smashed against the grill of another car.

Ramón gets out and runs to the Bellows house where he hides from the Jangly Man under the floor. Meanwhile, Stella is taken back in fourth dimension and hides under a tabular array with the help of a immature girl, Lou Lou Baptiste, merely is eventually establish. Living out part of Sarah's experience of the torture her family unit put her through, Stella confronts Sarah's ghost and promises her that she will tell the real story of Sarah'due south life and the truth of her innocence if she stops harming people with her stories. Stella writes down the true story in blood earlier she, the Jangly Man, and all of the previous monsters vanish.

She writes the truth well-nigh Sarah's life in the papers to the town, keeping her promise, and Sarah moves on to the afterlife peacefully. Ramón accepts his enlistment and shares an emotional goodbye with Stella before he leaves for the war. Stella drives away with her father and a recovered Ruth, and states that she volition find a way to rescue Chuck and Auggie.

Bandage [edit]

The Kids [edit]

  • Zoe Colletti as Stella Nicholls
  • Michael Garza as Ramón Rodriguez
  • Gabriel Rush as August "Auggie" Hilderbrandt
  • Austin Zajur as Charlie "Chuck" Steinberg
  • Natalie Ganzhorn as Ruth "Ruthie" Steinberg
  • Austin Abrams as Tommy Milner

Mill Valley Townspeople [edit]

  • Dean Norris as Roy Nicholls
  • Gil Bellows as Police Chief Turner
  • Lorraine Toussaint as Louise "Lou Lou" Baptiste
    • Ajanae Stephenson as Young Louise Baptiste
  • Marie Ward every bit Mrs. Hilderbrandt
  • Deborah Pollitt every bit Mrs. Steinberg
  • Matt Smith as Mr. Steinberg
  • Karen Glave as Claire Baptiste
  • Kyle Labine every bit Deputy Hobbs
  • Victoria Fodor as Mrs. Milner

The Bellows Family [edit]

  • Sarah Bellows was once a picayune daughter in the Bellows family and was forced to falsely accuse herself of killing children and was hanged.

Production [edit]

In 2013, CBS Films acquired the rights to the Alvin Schwartz's children's book serial Scary Stories to Tell in the Dark from 1212 Entertainment,[seven] with the intent of producing it as a potential feature moving picture.[viii] It was announced in 2014 that author John August had been set to pen a flick version.[9]

On January fourteen, 2016, it was announced that Guillermo del Toro would develop the picture, likewise as possibly direct, and that he would besides produce along with Sean Daniel, Jason Brown, and Elizabeth Grave, with Roberto Grande and Joshua Long executive producing.[7] [ten] In Feb 2016, CBS Films hired screenwriting brothers duo Dan and Kevin Hageman to polish the draft written past Baronial.[11] In December 2017, it was reported that André Øvredal would direct the film.[12] The Hagemans received final screenplay credit, with del Toro, Patrick Melton, and Marcus Dunstan receiving "story by" credit. CBS Films co-financed with Entertainment One.[1]

In August 2018, Zoe Colletti, Michael Garza, Austin Abrams, Gabriel Rush, Austin Zajur, and Natalie Ganzhorn joined the cast.[thirteen] [14] [xv] In September 2018, Dean Norris, Gil Bellows, Lorraine Toussaint, and Javier Botet were added also.[16] [17] Master photography commenced on August 27, 2018, and ended on November 1, 2018, in Hamilton, Ontario.[18] [nineteen]

In July 2019, at the San Diego Comic-Con, del Toro explained why Scary Stories to Tell in the Dark was not produced as an anthology film:

"When we started talking most this nigh five years ago, I had to call back well-nigh it ... Album films are ever as bad as the worst story in them — they're never as practiced as the all-time story...[xx] I remembered in Pan's Labyrinth, I created a volume called 'the Book of Crossroads'. I thought it could be great if nosotros had a book that reads you, and information technology writes what you lot're most afraid of. And so the theme became stories nosotros tell each other."[twenty] [21]

Music [edit]

The flick features an original score by composers Marco Beltrami and Anna Drubich.[22] In add-on to the original music, period songs from the 60s are heard in the film, such as "Flavour of the Witch" by Donovan, which plays during the flick's opening.[23]

A cover of "Season of the Witch" by musician Lana Del Rey is heard in the closing credits to the flick and was featured in a trailer for the picture show. While talking about his selection to accept Del Rey sing the cover for the picture show, del Toro stated, "I have admired Lana's music for a while at present and felt in my gut that she would run with 'Season of the Witch' – that she would utilise her alchemy to transform it. She is a great artist and has been an amazing partner with united states of america in this adventure. It is an honor for me to take met her."[24] Del Rey'due south version of the song was released for digital download and streaming on August 9, the same mean solar day as the moving-picture show's premiere. Mirko Parlevliet of Vital Thrills praised the pairing of Del Rey'due south sound and the film'south vintage artful.[25] Savannah Sicurella of Paste stated, "Del Rey managed to capture the prickly, macabre feeling of the pop Alvin Schwartz stories on which the film was based."[26]

Marketing [edit]

The first footage of the motion-picture show premiered during Super Bowl LIII.[27] The showtime trailer was released on March 28, 2019, and the second on June 3, 2019. On August five, 2019, a tertiary trailer was released, featuring a cover version of the Donovan song "Season of the Witch", by Lana Del Rey, performed for the film's soundtrack.[28] All-in-all, the studio spent over $20 million promoting the film.[4]

Release [edit]

Theatrical [edit]

The film was theatrically released in the United States on August nine, 2019, by CBS Films via Lionsgate.[29] [30]

Dwelling house media [edit]

Scary Stories to Tell in the Night was released in the US on digital download by Lionsgate Dwelling Entertainment on Oct 22, 2019 and also on Ultra Hd Blu-ray, Blu-ray, and DVD on November 5.[31]

Reception [edit]

Box function [edit]

Scary Stories to Tell in the Night grossed $68.ix million in the The states and Canada, and $35.half-dozen million in other territories, for a worldwide total of $104.5 1000000.[three]

In the United states of america and Canada, Scary Stories to Tell in the Dark was released alongside The Kitchen, Dora and the Lost Urban center of Gold, The Art of Racing in the Rain, and Brian Banks, and was projected to gross $15–17 million from 3,000 theaters in its opening weekend.[32] [33] The film made $8.8 one thousand thousand on its first twenty-four hours, including $two.33 million from Th dark previews. It went on to debut to $20.8 one thousand thousand, finishing second, backside holdover Hobbs & Shaw.[4] Information technology dropped 52% in its second weekend to $10.i meg, finishing fifth.[34]

Critical response [edit]

On the review aggregator website Rotten Tomatoes, the motion-picture show holds an approving rating of 77% based on 233 reviews, with an boilerplate rating of 6.4/10. The site'southward critical consensus reads, "Like the bestselling series of books that inspired it, Scary Stories to Tell in the Night opens a creepy gateway into horror for younger genre enthusiasts."[35] Metacritic gave the film a weighted boilerplate score of 61 out of 100, based on 33 critics, indicating "generally favorable reviews."[36] Audiences polled by CinemaScore gave the flick an average course of "C" on an A+ to F scale, while those at PostTrak gave it an average iii out of 5 stars and a 53% "definite recommend."[4]

Owen Gleiberman of Variety wrote that "the movie faithfully re-creates the peak moments of half a dozen of Schwartz' near popular stories," but "doesn't totally encompass the Gammell vision," referring to the infamy of the illustrations in the original book series.[37] Ben Kenigsberg of The New York Times chosen the film "an agreeable bit of fan service."[38]

Keith Uhlich of The Hollywood Reporter conversely termed it a "lackluster accommodation," adding that the monsters depicted in the film are "scary," though "they'd exist much more then if they felt less similar franchisable IP and more similar fervent expressions of the ills of the eras on which the film aims to comment."[39] William Bibbiani of Bloody Disgusting wrote that the moving picture "often works very well for several, breathless minutes at a time. But in between those excellent scares there'south a lot of filler, a lot of perfunctory plotting and a lot of mediocre character development."[40] Alan Jacques of Limerick Mail service gave the moving picture two points out of five and stated "This movie is definitely not meant for a pre-teen audience. At that place are ane or 2 genuinely creepy moments that would leave your precious nippers sleeping with the lights on until they finish college.... For a young audience coming to horror for the get-go fourth dimension, this isn't a bad place to offset, merely for anyone with a real appreciation of the genre this might feel rather tedious and unoriginal."[41] In his review for The Verge, Noah Berlatsky stated "...Scary Stories is remarkably insightful and sober in its assessment of the way stories control people, rather than the other manner effectually. Quentin Tarantino'due south Once Upon a Time in Hollywood was supposed to be the summer'southward virtuoso meta-fiction, but its rewritten happy catastrophe, musing on the impotence of writing, seems a lot less bleak than Scary Stories' acknowledgment that some scripts volition take you far away where y'all'll never be seen again."[42]

Tomris Laffly of RogerEbert.com gave the movie three stars out of four, stating "Still, Scary Stories is a strangely uplifting throwback to old-fashioned clans of investigative teens. While it doesn't interruption whatsoever new basis, there is plenty of vintage fun to be had with kids who feel their mode through life'south impending fears and alive to tell the tale."[43] Writing for The Guardian, Simran Hans gave the pic three stars out of v, noting "Producer and co-writer Guillermo del Toro brings Alvin Schwartz's much-loved children's book series to the big screen, but this uneven film tin't decide who it'due south trying to scare."[44] The New Yorker 's Richard Brody mentioned "There'southward accurate amuse to the fine-grained didacticism of the plot of "Scary Stories," which embodies the very virtues that it promotes. In the process of displaying the redemptive power of factual knowledge, however, the pic flattens and tames the power of imagination."[45] David Ehrlich of IndieWire added "André Øvredal'due south film accommodation, as clever and well-crafted as it is, can't help just invert the formula that the source material relied upon for its success. Here is an R-rated concept that'southward been watered down until it passed for a PG-13 movie; it's plenty harrowing and total of gruesome effects, simply information technology never feels unsafe."[46] The Atlantic 'southward Julie Beck noted "The all-time scary stories practice that—they get under your skin and emerge over again and once again. (The worms crawl in, the worms crawl out.) Scary Stories the motion picture just bounces right off."[47]

David Fear of Rolling Stone gave the pic three stars out of five, commenting "It's all a lot of chain-rattling, black-true cat-screeching fun, though not such a blast that you don't find how generic and ramshackle the whole endeavour feels... The pity is that Scary Stories to Tell in the Dark will mostly be seen by jaded genre completists and nostalgic fortysomethings. Incorrect demographic. You lot owe it to your kids to take them to this. It'south training-wheels horror done correct."[48] Aja Romano of Vox gave the moving picture iii and half points out of five and wrote "...the moving-picture show leans all the manner into the chance to tell a story aggress with cultural anxieties of the by that strongly mirror those of the present. It's far more than similar a classic piece of young adult fiction than the juvenile fiction it'southward adapting; its focus isn't on kids, merely on teens who are coming of age in a turbulent, complicated, and frequently maliciously unjust earth. Their supernatural monsters, in contrast, are culled from juvenile fears and fantasies. The resulting folkloric aesthetic makes Scary Stories' brand of fantasy all the more effective as fun visual horror. Only on a thematic level, it creates a discordance with the film's more than adult social horrors, and the two elements never quite unify."[49] A.A. Dowd of The A.V. Society gave the pic B grade and wrote "Similar scouts huddled around a campfire, each trying to transport a bigger chill downwards the others' spines, Scary Stories To Tell In The Night keeps coming upward with new gruesome attractions, piling i on top of the next. Notwithstanding equally gross and chilling and, yeah, occasionally frightening equally these terror tactics get, they never quite cross over into the deep end of truly grown-up horror."[l] The Times of India's Neil Soans gave the film three stars out of five, noting "The screenplay ends up as a jumble of unexplored ideas onscreen rather than a cohesive narrative. Nonetheless, if yous but bask horror films for creepy monsters, yous'll manage to become a kick or two."[51]

Accolades [edit]

Sequel [edit]

On April 23, 2020, it was announced that a sequel to the film is officially in development, with Øvredal returning to directly and Paramount Pictures (who captivated CBS Films as function of the Viacom/CBS re-merger) distributing.[53] [54] [55] Zoe Colletti, Michael Garza, Natalie Ganzhorn, and Dean Norris are set to reprise their roles with Dan and Kevin Hageman returning every bit writers and Guillermo del Toro returning as producer.

References [edit]

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External links [edit]

  • Scary Stories to Tell in the Dark at IMDb
  • Scary Stories to Tell in the Dark at Rotten Tomatoes
  • Official website

saladinowithful.blogspot.com

Source: https://en.wikipedia.org/wiki/Scary_Stories_to_Tell_in_the_Dark_(film)

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